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NEWS

Arte Laguna Prize 12.13

The Italian Cultural Association MoCA (Modern Contemporary Art), in collaboration with Arte Laguna, organizes the Seventh Edition of the International Art Prize “Arte Laguna”, aimed at promoting and enhancing contemporary art. The total value of the Prize is 170000 Euros.
The Prize obtained a medal by the President of the Italian Republic, with the patronage of the Ministry of Cultural Heritage, the Ministry of Foreign Affairs, the Veneto Region, the Municipality of Venice, Cà Foscari University of Venice, and the European Institute of Design among others. The contest features the awarding of cash prizes, the organization of an important collective exhibition in Venice, exhibitions in Art Galleries, Art Residencies and the publication of the official Catalogue. The Prize is divided into five sections: painting, photographic art, sculpture and installation, video and performance, and virtual art. Participants can freely choose the subject of their artworks.

More info: http://www.artelagunaprize.com/index.php/terms-a-conditions2012.html

 

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La Seconda Luna - Progetto

The Città di Laives La Seconda Luna Award treasured the experience of the previous Premio di Pittura Città di Laives (Città di Laives Painting Award) whose eighth and last edition took place in 2006. In the same year the Municipality of Laives, original promoter of the initiative, established the Visual Arts Award Committee Città di Laives. The new entity was entrusted with the task of managing and innovating the project with the financial and organizational support of the Municipality, the Department of Italian Culture of the Autonomous Province of Bolzano and other stakeholders.

www.lasecondaluna.it

 

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Art of Another Kind: International Abstraction and the Guggenheim, 1949–1960

June 8–September 12, 2012
In the 1950s, the Guggenheim Museum's then-director James Johnson Sweeney championed what he called the "tastebreakers" of his day—those individuals who "break open and enlarge our artistic frontiers." This decade witnessed the revitalization of experimental art and the advent of fresh and bold styles, a shift that was rather presciently documented and examined in 1952 by French critic Michel Tapié in his book Un art autre (Art of another kind) and an eponymous exhibition. Taking its title from that pivotal study, this collection-based presentation seeks to consider the artistic developments of the post–World War II period and draw greater attention to the lesser-known tastebreakers in the museum's collection alongside those long since canonized.

Abstract Expressionism encompasses a diverse range of postwar American painting that challenged the tradition of vertical easel painting. Beginning in the late 1940s, Jackson Pollock placed his canvases on the floor to pour, drip, and splatter paint onto them. This gestural act, with variations practiced by William Baziotes, Willem de Kooning, Adolph Gottlieb, and others, was termed "Action painting" by critic Harold Rosenberg, who considered it a product of the artist's unconscious outpouring or the enactment of some personal drama.

http://www.guggenheim.org

 

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